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Title details for Othello by William Shakespeare - Available

Othello

A BBC Radio Shakespeare production

by William Shakespeare
Ray Fearon
Audiobook
2 of 2 copies available
Borrow Listen to a sample Listen to a sample
2 of 2 copies available

In this BBC full-cast production, Othello is drawn further and further into jealous rage by the manipulative Iago.
In this story of evil cunning perverting a once noble mind, radio captures Iago's sly hints and boasts to the audience with shocking clarity. The listener is led along an emotional path that grips with fascinating horror until the play's tragic conclusion.
Staring Ray Fearon as Othello, James Frain as Iago and and Anastasia Hille as Desdemona.
BBC radio has a unique heritage when it comes to Shakespeare. Since 1923, when the newly-formed company broadcast its first full-length play, generations of actors and producers have honed and perfected the craft of making Shakespeare to be heard.
In this acclaimed BBC Radio Shakespeare series, each play is introduced by Richard Eyre, former Director of the Royal National Theatre. Revitalised, original and comprehensive, this is Shakespeare for the modern day.

  • Creators

  • Publisher

  • Release date

    December 1, 2004

  • Formats

    • OverDrive Listen audiobook

      • ISBN: 9781405697804
      • File size: 89198 KB
      • Duration: 03:05:49

  • Languages

    • English

  • Reviews

    • Publisher's Weekly

      April 3, 1995
      More than a retelling, this aptly termed "reconceptualization" provocatively modernizes Shakespeare's play. As in the original, the middle-aged general Othello the ``moor'' and young European noblewoman Desdemona fall in love and marry secretly. But Lester (To Be a Slave; John Henry) transplants the action from Venice and Cyprus to Elizabethan England and turns Iago and Emily into Africans like Othello, so that the three of them share a distinctly non-European point of view. Iago's envy of Othello and ability to whip him into a jealous rage at Desdemona are thus cast in a new light, though the tragic outcome remains the same. While the ending feels abrupt, Lester's novel succeeds in holding up a mirror to contemporary society. Phrases and passages directly based on Shakespeare's language are printed in a different typeface, a device that may distract the reader but eases comparisons with the original work. Ages 8-12.

    • AudioFile Magazine
      This production is something more than a first among equals with the notes, photographs, and essays that frame its text. The excellent selection of speeches and scenes, by readers who range from Edwin Booth (recorded by Edison in 1890) to Paul Robson to John Kani in Janet Suzman's memorable 1987 South African production, provides historical and critical perspective on Shakespeare's play. By coupling different actors' interpretations of key speeches, the excerpts highlight the unique features that make this play so enduring, provocative, and mysterious. This series' format offers an excellent companion for first-time readers and their teachers, but seasoned readers and theatergoers will also find the opportunity to re-experience the play with depth, clarity, and a richness of perspective. D.W. (c) AudioFile 2006, Portland, Maine
    • AudioFile Magazine
      One of Shakespeare's four greatest tragedies, OTHELLO has been brought to stage and screen countless times. This recording, part of Arkangel's usually solid series of the Bard's plays, adds little to this history of performances. Don Warrington in the title role is awkwardly un-Moorish, though David Threlfall is more convincing as the villainous Iago - cold and calculating without any exaggerated fiendishness. Some of the minor characters shine also (particularly the Clown, who appears in just two scenes), but the music, often a highlight of Arkangel recordings, is unfortunately cloying and improbable in this production, adding another minor disappointment. D.B. (c) AudioFile 2002, Portland, Maine
    • AudioFile Magazine
      This production is perfect for both Shakespeare aficionados and newcomers alike. Chiwetel Ejiofor's Othello conveys the character's love, sadness, and murderous jealousy as if it were his own, all against a backdrop of Ewan McGregor's conniving and undeniably creepy Iago, who whispers his treachery into the listener's ear when all other characters fade from the scene. While Kelly Reilly's Desdemona seems a little singsongy and unvaried, she does not violate the confines of her character, instead taking a backseat to the stronger forces of fate. The most impressive aspect of this production, however, is that there is absolutely no need for visual accompaniment. The listener not only knows who is speaking and what is transpiring at all times, but is also utterly absorbed. This production packs enough passion and power to leave one thoroughly shaken. A.A. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine
    • Publisher's Weekly

      Starred review from September 29, 2008
      Shakespeare's legendary tragedy is revisited in this spirited and entertaining production that ran in London from November 2007 to February 2008. The flawless, talented cast features Ewan McGregor as the conniving Iago, Chiwetel Ejiofor as Othello (whose performance won him the Olivier Award as best actor) and Kelly Reilly as Desdemona. There is also excellent support from Tom Hiddleston (as Cassio) and Michelle Fairley (as Emilia). This audio production is a rousing, theatrical performance expertly guided by director Michael Grandage. Complete with a musical score as well as full sound effects and background noises, listening is so enjoyable that the play speeds by at breakneck pace. An enclosed booklet contains color photographs of the production and a well-written essay by drama professor Russell Jackson. There's also an entertaining bonus DVD disc featuring interviews with the cast and crew. Brilliantly produced in all departments, listening is the next best thing to seeing it live.

Formats

  • OverDrive Listen audiobook

subjects

Languages

  • English

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