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Jacob's Room

Audiobook
1 of 1 copy available
1 of 1 copy available

Jacob's Room was written in 1922 and is Virginia Woolf's third novel, the first in which she made a radical shift from the established style of prose narrative writing and began experimenting with the modernist 'stream of consciousness style' now so firmly associated with her work and which so shook the literary establishment.

Jacob's Room is overwhelmingly centered around feelings of absence and emptiness and is a collection of memories and sensations that chart the life of Jacob Flanders, largely observed through the eyes of others. The narrative flows from one topic and one character to another without warning or explanation and there appears to be little connection between these fragments.

Likened by some to an impressionist painting, Jacob's Room was far ahead of its time and still appears strikingly modern almost a century after it was written. It remains a challenging and richly rewarding literary experience.

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    • AudioFile Magazine
      Jacob is so hard to manage. Ever since his father, Seabrook Flanders, passed away, he has been a somewhat aimless boy. As Jacob grows, we watch his aimless spirit wander like a butterfly from flower to flower, sipping nectar, but never lighting for long in one spot. Nadia May reads Virginia Woolf's stream of consciousness--her cataloging of voices and images--with such force and authority that gradually in the poetry of these images, a character, albeit somewhat lost and stillborn, breaks through into a hollow world, exactly as Woolf intended. It is the narrator's assurance, as it was the writer's belief before her, that this stream of consciousness cataloging would produce both world and character, and so it does. P.E.F. (c)AudioFile, Portland, Maine
    • AudioFile Magazine
      JACOB'S ROOM, a classic modernist text, is more about language and the art of fiction than it is actually a story, which means the narrator has to be as alive to the pleasure of the exact right word as a thriller narrator is to the power of a car bomb. Juliet Stevenson is a perfect actor for the challenge. Her voice is lovely, her diction clean and precise, and she is so sensitive to nuance, to the rhythm of Woolf's sentences, that she communicates her own excitement at Woolf's achievement in a way that delights and even instructs. There is much beauty here, owing equally to Woolf's art and Stevenson's, and the ending is indelibly moving. B.G. Winner of AudioFile Earphones Award © AudioFile 2014, Portland, Maine

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  • English

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