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Entry Island

ebook
9 of 10 copies available
9 of 10 copies available
Marilyn Stasio in The New York Times raved: "Peter May is a writer I'd follow to the ends of the earth." Now Peter May takes us to a small island off the coast of Québec with an emotionally charged new mystery.
When a murder rocks the isolated community of Entry Island, insomniac homicide detective Sime Mackenzie boards a light aircraft at St. Hubert airfield bound for the small, scattered chain of Madeline Islands, in the Gulf of St. Lawrence, as part of an eight-officer investigation team from Montréal.


Only two kilometers wide and three long, Entry Island is home to a population of just more than 100 inhabitants, the wealthiest of whom has just been discovered murdered in his home. Covered in her husband's blood, the dead man's melancholy wife spins a tale for the police about a masked intruder armed with a knife.


The investigation appears to be little more than a formality—the evidence points to a crime of passion, implicating the wife. But Sime is electrified by the widow during his interview, convinced that he has met her before, even though this is clearly impossible.


Haunted by this strange certainty, Sime's insomnia is punctuated by vivid, hallucinatory dreams of a distant past on a Scottish island 3,000 miles away, dreams in which he and the widow play leading roles. Sime's conviction soon becomes an obsession. And despite mounting evidence of the woman's guilt, he finds himself convinced of her innocence, leading to a conflict between the professional duty he must fulfill and the personal destiny he is increasingly sure awaits him.

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    • Publisher's Weekly

      June 15, 2015
      Fans of May’s Lewis trilogy (The Chessmen, etc.) will welcome this solid standalone, which likewise involves crime on an isolated island. When the Montreal police learn of a murder on Entry Island, an English-speaking outpost of the Magdalen Islands in the Gulf of St. Lawrence, Det. Sime Mackenzie reluctantly joins his murder-squad teammates on the long flight east. Conveniently, Mackenzie, who’s deep into a bout of insomnia stemming from the recent dissolution of his marriage, is the only one fluent in French and English. On the island, wealthy businessman James Cowell is dead, allegedly stabbed by an intruder who tried to attack Cowell’s wife, Kirsty. Mackenzie is unusually drawn to Kirsty, a native islander who hasn’t left Entry in 10 years; he’s positive he’s met her before. Mackenzie’s dreams of 19th-century Scottish crofters (farmers) and their doomed struggle with powerful landowners, a conflict known as the Highland Clearances, which directly affected his ancestors and perhaps Kirsty’s, too, provide a powerful counterpoint to the present-day story line.

    • Kirkus

      July 15, 2015
      A Montreal cop reeling from his divorce confronts ancestral tragedy when he's sent to investigate a murder on a remote island in the Gulf of St. Lawrence. Sime (pronounced Sheem, and Scots Gaelic for Simon) Mackenzie is called to the stark setting to investigate the murder of a local businessman. No one quite believes the victim's wife's claim that she was startled by an intruder and her husband was killed in the struggle. The investigative team, including Sime's ex, Marie-Ange, appears to be merely marking time until they can formerly charge the newly minted widow. But something in the woman stirs Sime's memory, though they haven't met, and the disappearance of a local man makes it harder for this haggard policeman to accept his colleagues' foregone conclusion. May (The Blackhouse, 2011, etc.) has constructed the book so that the investigation alternates with an account of one of Sime's ancestors and his forced repatriation from Glasgow to Canada. As in the contemporary sections, the plotting is clunky, much of the writing is expository, and what's meant to be descriptive too often feels as if the reader has opened the encyclopedia to an entry on Scottish agriculture of the 18th century ("the thatch from the roof, blackened and thick with the sticky residue of peat soot, that we laid on the lazy beds with kelp to feed the potatoes"). Bleak settings needn't be drab-Emily Bronte knew that. But May's transplanted Scots have given up the gloaming for the gloomy.

      COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

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